It's not 3,000 years in the future, nothing should be completely unrecognisable yet, the world hasn't been erased and rebuilt. Dvali has some of that juxtaposition but the entire thought process you described is continuous in every aspect of a game like Deus Ex. Jacques-Belletête: Well, that's one of the big challenges of our game. What is the research process and how does an area take shape? That's such a huge part of what you did with Human Revolution and are now doing in Mankind Divided. RPS: I find it fascinating when a film or game takes a real place and the design team have the task of grafting new or different elements onto the existing architecture. Along the way we learned about content cut from Human Revolution, the places that Deus Ex is going next and why Jacques-Belletête believes that India could be a perfect cyberpunk setting.
We spoke to him about collaborative storytelling, fashion, architecture and graphic design. When we visited the studio to play the game earlier this month, we also spent time talking to two of the brains behind the game about the inspirations and processes that go into this bleak vision of the future.įirst up, here's Jonathan Jacques-Belletête, executive art director at the studio. Deus Ex: Mankind Divided is already looking like a worthy follow-up to Human Revolution as well as an inventive prequel to Ion Storm's original cyberpunk classic.
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